Bobble ??? What does that mean @BanjoBen
Learning to Let Go & Relax While Playing
Hiccups, little mistakes, you know, a jurgle, pignipple, or pompinstance. Whatever you wanna call it.
Wow Ben! That was a great response, and I think it will help a lot of people. I play in church almost every week with our band, and I have often talked to people about how in church myself and others get discouraged if people donāt tell us we did a good job. Itās because we practice so much and prepare and we want people to recognize that. But as you said that is absolutely not the purpose of worship. Itās really hard to not have that mind set.
Ok Got it
Thank you, Ben. I am grateful for your heartfelt, insightful response.
Itās interesting that you used the example of playing in church. That has been my goal all along. I just donāt feel Iām at a point where I can ask to join the church bluegrass band. My wife says Iām over-thinking it, and that they would welcome me. Iām sure she is correct.
Thank you, again, for your empathy and candor.
Nicely done Sir! I am proud of youā¦ as I - only recently posted my first mandolin video in the Cabin Fever contest @BanjoBen graciously provided for us. I have previously posted 1 banjo video quite a long time ago.
Many people posted to win - me included - but something BIGGER started to happenā¦
Everyone was sooooo supportive of everyone elseās post!
Think about itā¦ It was a drawing, right? So, logically, the more entries reduces each personās chance to win. However, I saw everyone rallying around others and encouraging them. It felt like a battle cry against this pandemic and quarantine.
I always encourage others with liking many performance posts. I fact, I partially had done so because I, myselfā¦ was too shy to post! So, I supported them to have the courage to do what I would not.
Then, it dawned on meā¦ we are all in this Cabin Fever quarantine together. I felt like it was time to let go of false pride, possible embarrassment and shameā¦ to listen to my own advice to encourage so many others and DO what I have asked other to do!
That is when I fought to resist that voice that said, āYou cannot learn the song in timeā and āYou arenāt as good as the othersā.
CONGRATULATIONSā¦ you have jumped into the pool with all the rest of us and we welcome you to the party! - TWICE!
I will end this by saying, I was impressed with your speed! Good job! Now, Donāt be a stranger, ya hear?
Continuing the discussion from Learning to Let Go & Relax While Playing:
Thank you for your response WillCoop It means a lot to me that there is a community that will rally around each other. Thank you all and thank you Banjo Ben
Same as wowsie, whoopsie, pickgotcaught, flubdidup?
Any olā blurbāll do, yep.
Great talk. Just what I was needing to hear. Everyday I practice, I say to myself, āIāll do this foreverā and by the end say, āIāll never pick this thing back up.ā I practice everyday, I put in the work to get better, and try to emerge myself fully in becoming a true student of the craft. Iāll never quit, music, it is in my bones. I need it as much as air. But I get discouraged often, and give myself that little pep talk to say āhey kid, be patient, youāre doing good, youāll get there, but not if u quit.ā I canāt walk by my mandolin hanging on the wall and not take it down and run through a song or strum a few chords. I watch videos, read books, take notes, and have sought out local musicians to talk to. I live close to the Ciderviile music barn in Knoxville Tennessee where great pickers with years experience play and chat (and feed u good if u catchāem on the right day). I have done what I can to set myself up for growth as a (hobby)musician and picker. Joining this web site is part of that journey as well. I could read tabs and learn songs before, but felt like a parrot just repeating what I heard. I couldnāt create or improvise and I wasnāt growing. It was like knowing the alphabet and knowing words, but not knowing how to make a sentence. I knew I needed real lessons if I wanted to grow. Thatās what brought me to the banjo Ben website, and it has been amazing. So, I say all that, to say this. All that work and commitment, and I struggle to play childrenās songs accurately, or pick my way through a song perfect after practicing for weeks. I expect a lot of myself. Often my wife says, remember why u started in the first place, playing makes u happy. But it wasnāt until watching this video that I really made the āprideā connection to my daily frustrations. And that is absolutely right on the money. Pride tells me that since I have done so much I should be better than I do, pride tells me that I should be able to do what all the professionals I watch on YouTube do because I work just as hard. Pride makes me think I should be way better than I am as a musician, and when I donāt meet that obviously ridiculous expectation or standard I set for myself that pride turns to resentment and disdain and anger, and eventually to me saying, Iāll never be good enough so why even try.ā Playing a song I have been practicing for weeks, for family or friends, is nerve racking because pride tells me they will be unimpressed by me clumsily clanging through Arkansas Traveler and they will say all the hours and money spent on this hobby is stupid and a waste of time, he canāt even play a song right. And thatās silly, our friends and family love and support us, but prideās little whispers are hard not hear. But like u said Ben , I wonāt be those people on YouTube, because Iām James, not them. And God made me to be me and not them, and thatās okay. What great advise and council. Anyway, A tip for the original question. I record myself often and save the videos on Instagram or YouTube so that I can go back and see how far I have progressed on days when Iām feeling like I canāt play anything right. Itāsa great boost u can see in real time. And keeps u from being to hard on yourself.
Sorry for the long post, but thank you for the video response, all the other comments, and the original question! Super helpful. So glad I made the decision to become a part of this community. I know Iām in the right place.
Well Iāve noticed if you go look at a lot of pro players, Iām talking some of the old seasoned players, a lot look very serious while they are playing. I mean no offence to these great players as they are Awsome, but a lot look serious, some down right miserable . Only person I can think of from the old players who smiled is the great man himself Earl Scruggs who always looked happy. If you look at JD Crowe for instance he always looks serious as heās concentrating. Not a contorted face I may add but quite serious. I find if Iām playing something complex my mouth snears or eyebrow contorts lol. So donāt worry I think itās something that fades with time and experienceā¦ Or maybe not There are also happy faced players around. Our own Banjo Ben for instance, Jim Mills, Russ Carson, etc. I guess I probably look quite serious or miserable when Iām playing but Iām having a ball inside.
Youāre right, it doesnāt matter what you look like! I often have a sour look on my face but I know I was having fun, but when I concentrate I lose control of MUH FACE! Haha
James. A lot of good points you made! I too have found it encouraging to use video to track my progress as from day-to-day. Itās difficult to see progress on a short time-scale.
Another observation Iāve made regarding many players but not all, is that their practice habits can be atrocious. To be sure, I know Iāve had to work on mine. For example, one might struggle through songs front to back and fail to set-up āloopsā on troublesome measures or parts or allow clumsy habits to form. As a result, they become disappointed at their rate of progress. There really is a āSecret to Effective Practiceā that needs to become a habit when weāre alone with our instrument.
Great to āmeetā you and Happy Picking to you James!
This was a great read! I really like the quote 'Practice honors the work God is about to do. It is like prayer.ā I am already stoked for my next practice session. I also understand the whole falling asleep while practicing with a metronome thingā¦
Have any of you noticedā¦ as I have been noticing of lateā¦ whenever Noam Pikelny plays with someoneā¦ he seems to study the other playerās work - during the performance and solosā¦ as they play leads while he is playing back-up.
I used to think he was merely trying to follow along with changes and queues from the other player but his talent is on such another level, I think he can keep up just by ear.
Now, I think he is absorbing with the intent to soak up things from the other personā¦ which is rather captivating to observe. It is like he is not only listening to their solo āvoiceā but making eye (his) to instrument (theirs) contact.
This also seems to be true with other non-banjo playersā¦ that he watches their instrumental Technique too.
Take noticeā¦ and I would welcome any comments.
First, welcome to the forum - againā¦ as I think the forum is a GREAT resource. Secondly, maybe I missed itā¦ how long have you been playing? Just curiousā¦
I have been playing Banjo for nearly 3 years and Mandolin for about 1.5 years.
I think self-pride is the big barrier to overcome.
As a relatively new beginner to Bluegrass style and Banjo/Mandoā¦ my inner voice says all those things about not being good enough. I struggle with this too.
Side note: I somehow find it encouraging to hear professionals (like @BanjoBen and others) admit they experience nervesā¦ like people on the Voice coaching segments.
Heck, I think I even Del McCoury say he gets nervous on that awesome Toy Heart Podcast (soooo good)ā¦ when he plays the Opry after all these years.
Dare I suggest, if Del can be nervous, then this is just normal.
Another perspectiveā¦
I think the comment or thought of not being good enough raises the key questionā¦ not being good enough - for who?
In this context, I feel like it changes because I have played with a few beginners who - because they are just starting - are not (could not as an absolute beginner) be at my skill levelā¦ (even as most real players with experience ARE better than me).
Here is my pointā¦
Never onceā¦ did I EVER think badly about the person who was trying and applying themselves to play with me. On the contrary, I enjoy finding the very simplest ācommon groundā to play with themā¦ to jam in the most basic way.
Soā¦ Unless any of us have a real negative experience with someone who is beyond arrogant (AKA - a self-absorbed JERK) - which I expect is exceedingly rare for any true music fan, I would think most ābetterā players to be far more accommodating of our (limited) skills then we are.
It is hard to separate the feelings of this self-pressure we put on ourselves but I offer this because it may help all of us accept our playing and just move on.
Then, we can play with less fear and feel accepted just for the level of skill we possessā¦ be it significant or simple.
Submitted for your (everyoneās) considerationā¦
@WillCoop
I played drums for years. I played banjo for two years, then moved on to bass for a year, played ukulele for a year or two, then moved on to the mandolin. I was never really that good at any of those instruments, just liked to goof around on them. I lost interest over time.
Iāve been playing the mandolin since August of last year and this is the first time Iāve been interested enough in an instrument to really buckle down and get serious. I have always loved bluegrass music and just wanted to be able to play it myself and I have found the mandolin to be the one that really feels good in my hands and I just connect with. All my experience with other instruments has helped me pick up the mandolin quicker than a true beginner Iām sure, so it wasnāt time wasted with the other instruments. My problem is I want to run when I need to crawl
I hear ya, Buddy! I want to get better too.
I like the Banjo ! That said, speaking for myself, I was surprised just how much the Mandolin captivated me also!
I played trumpet in my youth, dabbled in Piano and Electric (rock) Guitar tooā¦ and 2 years of Theory in High Schoolā¦ Oh so many years ago.
As mentioned, I moved over to Bluegrass and Banjo as a 50+ year oldā¦ so it is a whole new world to me.
I presume you live in TN from your icon. If that presumption is true, you are in the right place, arenāt you!?
I wish I could connect with a small group to pickā¦ But alas, I remain practicing alone.
That sounds like a great title for a BBC intro to any instrument Lesson! SECRETS to EFFECTIVE PRACTICE ! I think that would answer a lot of questions to any of us newbies .