Just curious, have you ever had your guitar professionally set up? If not, you might want to try that bar / hammer-on on a guitar that has to see if that makes a difference. If your action is too high, even professionals will have trouble playing clean bar chords.
Discuss the Guitar lesson: Are You Washed in the Blood Fingerstyle
It’s tough for me too, honestly. I have to get pretty aggressive with it. Keep working to build that strength, and as @Mark_Rocka says, make sure your guitar is set up well if not already.
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I finally had a chance to give it a spin… great arrangement Ben! I like the highlighting for thumbs and leaving the fingers unmarked (unless there is a “magic” way to do something). I am a pinkie planter and three finger alternating bass type of player, and I generally ignore right hand fingerings 99% of the time, but the highlighting for thumb makes it easier to read.
Regarding how hard to make things, I think it’s a good level. I think it is important to offer different levels of songs and you do that. Once one has played a wee little bit, they can add stuff or water it down to their liking and ability.
As far as the F hammer-ons, I can’t tell you what I am doing, but the hammer on works ok for me. The best advice I can give is keep doing it and it will work out (terrible advice, but it’s all I got). Unfortunately I am having to concentrate and work to get the barre solid on the first fret of the D string. In an F shape that is usually not in play as I would have the 3rd fret F going. I didn’t even realize I had a hole in my barre 
I can also cover the F measures by wrapping the thumb instead of a barre F, but it didn’t make it particularly easier for me (just different). It might be worth a shot for any who aren’t making headway on the hammer-on.
Ben, your arrangements and content production keep getting better and better. Awesome job!
-mike
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Funny you should mention set up. I’m learning Washed In the Blood on my brand new Martin D-18, the first Martin I’ve ever owned. 
(It’s one of my bucket list guitars and I wanted to inaugurate it by learning an authentic American Gospel fingerstyle piece.) That said, the action at the nut might be a tad too high, as I found it’s easier to get through measures 12-13 on my Yamaha LS16R (a wider neck with a slightly more rounded profile). Go figure!
That’s really common, especially on Martins. Martin is known for being THE guitar for bluegrass backup chords, and a lot of people bang the heck out of their strings. Under those circumstances, an action that’s too low will cause the strings to buzz, so Martin leaves the action higher than what I’d choose for myself.
If the nut slots could use some filing down, it’s almost a guarantee you can have the bridge lowered, too. Doing so will probably make your new baby even more enjoyable to play.
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Here’s a link to an easy way to check nut action:
http://www.frets.com/FretsPages/Musician/GenSetup/NutAction/nutaction.html
I used to check and set nut height by measuring with feelers, but I find the above method to be both easier and more effective.
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Well I checked using the Ford method and it looks like I can have the slots deepened a bit. In the meantime, I’m working with the Yamaha and thank you for the advice!
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Nut action makes a significant difference in the feel. Just a few thousandths can make a world of difference.
Great arrangement Ben! Not as easy as one would think! This is a great lesson and asks a great question! Are you washed in the blood? I am so grateful for God’s grace and imputed righteousness. In that while we were sinners, Christ died for us!
Blessings always,
Dean
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D-18 nice!
Thanks! Yep, a bit harder than it sounds initially. Amen!
Very beautiful arrangement for a beautiful hymn! Feel like keep on listening to it… 
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Well, I for one, am glad you called this one “advanced”. I’m working through some of the tougher parts, that are somewhat familiar, just fine. I keep going back to “Silent Night in D” categorized as"intermediate" and still working the pulls and pushes; just when the tension is released, the next two come right on top of you in the ending! I’ve messed with my Larrivee action and ended up tuning down a full step and then capoing back up two for a lower action. Hope to have both pieces ready for Christmas! Excellent job on both arrangements.
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Keep me posted, buddy!
Absolutely loved learning this tune fingerstyle; but being a banjo picker, I used fingerpicks. It took me 72 attempts to get it close. (Google ‘Campbell Clan picks on an old Hymn’ ). This really had a Chet Atkins feel to it. On another topic, if I knew I could just use a thumbpick like Chet did, I’d try to lose the fingerpicks and just do the single-string picking using a banjo thumb-pick and bare first finger for songs traditionally requiring a Flatpick, leaving the index,middle and ring fingers “pick-less”. This is also what Tommy Emmanual does. I’d like to get Banjo Ben’s opinion on alternate string picking using a Banjo thumb-pick only to allow moving from this style to alternating string (up & down picking), like Chet and Tommy, thus expanding versatility perhaps; Hint, Hint 
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Y’all check out @campbellneilh pickin’ this one! Great job, Neil!
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That was great Neil! You guys are ready for some public performances!
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Great job you guy’s I am gonna try and see if I can pick along on my banjo with ya’ll
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This is a tough one, he managed it, Great!
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This is a REALLY tough one. I don’t care to remember how many takes it took me to record it.
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