Hey Michael and Archie,
Thanks for sharing your insights on how you approach learning and playing the banjo. It’s fascinating to see the different methods folks use.
Why did the forgetful banjo player bring sheet music to the gig? Because he couldn’t “pick” up where he left off without it!
But jokes aside, I can totally relate. While I love to play by ear and get creative, sometimes I rely on sheet music as a helpful guide to keep me on track. It’s like my musical GPS, ensuring I don’t take a wrong turn during a performance.
I’m currently around 80% through Ben’s beginner track, which has been fantastic for building a strong foundation. Two lessons that really changed my learning game were “Banjo Ideal Practice Session” and “Fireball Mail - Creating Drive.”
In “Banjo Ideal Practice Session,” Ben emphasized the importance of taking those five minutes to warm up, prepare, and get your mind right. But what really caught my attention was his mention of exploring and listening to banjo music. Inspired by this, I looked down the intermediate list and stumbled upon “Fireball Mail.” To my delight, I discovered that it was the number one song from 1942 by Roy Acuff, with Scruggs doing an amazing cover. It’s fascinating how digging into the roots of a song can deepen your appreciation for it.
As for “Fireball Mail - Creating Drive,” it struck a chord with me (pun intended) on two fronts. First, the idea of reading through material, even if it’s challenging, reminds me of my daughter’s piano lessons. Her teacher insisted on playing through the entire song, mistakes and all, because it forced her to “read the material.” That approach stuck with me, and now I apply it to new banjo music. One read-through, ten times, and suddenly, it all starts to make sense.
Secondly, Ben’s guidance on identifying the melody and reinforcing primary melody notes really resonated with me. It’s like finding the key that unlocks the song’s soul. In his latest banjo session, “Away in the Manger,” for example, the first note is an open D from the top string. But changing how I play that open D to a Scruggs-style hammer-on gives it that extra flair.
Looking forward to the banjo journey ahead,
Fireball Mail Roy Acuff
David8hunt