Hey @Archie. I’ve been playing clawhammer since Christmas and went to the clawhammer section of Ben’s camp. So I’m no expert, but I have been going through the struggles of getting good clawhammer sound. So here are a few pointers:
- Play as close to the neck as possible—many open backs have “frailing scoops” to allow playing over where the last few frets would be, but playing close to the neck works as well.
- You need to try both your middle and pointer fingers. One will feel more natural and therefore give better sound. I use my middle finger— I hope it’s not an indication that I’ve exercised that one more over the years.
- I have significantly better sound with a fingernail that extends just past the tip of my finger. Many say it doesn’t matter, but it does for me. The others may have larger nails that sound good even when clipped. I need the extra surface area.
- I’ve also tried just about every clawhammer pick on the market (including what Ben recommended). They all have pros and cons, but I’ve settled on the cling pro made in Canada. It most duplicates your nail and stays in place real well. I had to sand the tip back a little, though. The metal one Ben recommended is very comfortable, but I like a more mellow sound and that pick is a little too bright for my tastes. But it may work perfect for you. Ben sells others that sound mellow (really great actually), but they didn’t fit my fingers very well.
- And lastly, my resonator banjo (a Nechville) sounds weak as a clawhammer as well. I suspect that loosening the head may help. The clawhammer sound is pretty much 180 degrees off from the traditional three finger bluegrass sound. I ended up getting an open back Ome with a 12” pot and a scoop that has a nice low end sound for clawhammer. And I keep the head tension around 89.
Hope this helps. I’m enjoying clawhammer, but will also keep working on three finger. I started late sort of like you (I’m approaching 61). I’m hoping to be an okay player by 90.
Take care,
Jeff