Forum - Banjo Ben Clark

About guitars....mics and such

#4

I love microphones (which is probably why I own so many).

If you are thinking of using your microphones strictly for PA purposes only, then you should consider some sort of cardioid or hyper-cardioid microphones. Dynamic microphones do not require external power and tend to be less prone to feedback. Condenser microphones can either be internally (battery) or externally (phantom) powered and are often more prone to feedback. Most folks prefer the sound of a condenser over a dynamic and condensers tend to be more sensitive when compared to dynamics. Shure 57/58s are dynamics and MXL 900 series mics are condensers.

If you are sure you will not use your microphones for anything but live PA use, then you may want to consider getting a set of good dynamic microphones. If you will be using them for live vocal use, make sure that the microphones have a good built-in wind/pop screen. If you will be using 2 microphones for instruments only, you can consider getting a decent pair of condensers. The diaphragm in condenser microphones are generally more delicate when compared to dynamic mic diaphragms. So using them for instruments rather than vocals (sensitive diaphragms hate moisture and wind from your mouth!), is okay and will also give you the ability to occasionally use them for recording.

So my suggestion is to get 2 decent dynamic microphones (for vocal PA use) and 2 decent condenser microphones (for instrumental PA use and occasional recording).

Which mics? I too have been bitten by the MXL bug and own (2) 4000s, (2) 2001s, (2) 603s and a V900 for a more vintage live appearance (band standing around a single mic).
http://g-ecx.images-amazon.com/images/G/01/ciu/43/cb/507de03ae7a04a6449533210.L.jpg

Of those mics, I really like the sound of the MXL 4000s. They are smooth, warm, clear and can be set up as cardioid, figure 8 or omni-directional. They work very well for recording, but may be a bit too big for PA use (but sound amazing in a PA) and watch out for feedback!

Probably your best bet on the cheap is to get 2 Shure SM58s (or a less expensive quality knock off like the ES58 http://www.speakerrepair.com/page/category/microphones.html ) and a pair of MXL condenser instrument microphones like the 603s http://www.amazon.com/MXL-603-PAIR-INSTRUMENT-MICROPHONE-SHOCK-MOUNTS/dp/B004Y36OSQ.

Whatever you decide, have fun choosing and learn how to use your new mics to their best advantage.

#5

I’d like to have that V900 in my music room just for looks alone!

#6

That V900 is sweet looking. I have been peeking about for a while, thinking of getting a warmer mic for vocal recording. It sounds like the MXL 4000 might be a good bet. Doc, do you use that for close micing, or do you generally back off of it a bit? While I was looking up the 4000, I saw the MXL Genesis tube condenser. If it sounds as good as it looks, that would be one great sounding mic.

#7

You guys are great. But, for future reference, I am NOT close to being a professional musician…lol. All I want is a spot in the man cave where two people can sit and play their instruments through mics…and possibly do some vocals, there, too.

If and when I ever do any bluegrass playing “out”, I’d definitely want a nice instrument mic, anyway.

You gave me great info to get me going.

RE: mic stands, now…is there one that will work standing or sitting (instrument & mic stand)?

Thanks again.

#8

A boom mic stand will do the trick. You can stand, sit, or lay on the floor. They are available at just about any music store. Mics usually come with the clip to hold that particular mic and they just thread onto the mic stand.

If you want to want to put a pair of mics on a single stand (i.e. to add an instrument to a vocal mic stand), you can add a side boom. They are about $10 to $15.

#9

Here’s a typical mic stand like Mike was talking about. It’ll go 6 inches from the floor to 7 feet high and everywhere in between.

#10

— Begin quote from "mreisz"

That V900 is sweet looking. I have been peeking about for a while, thinking of getting a warmer mic for vocal recording. It sounds like the MXL 4000 might be a good bet. Doc, do you use that for close micing, or do you generally back off of it a bit? While I was looking up the 4000, I saw the MXL Genesis tube condenser. If it sounds as good as it looks, that would be one great sounding mic.

— End quote

Sorry for the slow response, things have been busy at home for the last few weeks…

I use the 4000 for lots of different applications (mostly recording applications). While recording, it works very well at any distance from 1 foot to 50 feet. For voice, I keep if far enough away not to cause popping (about 18 inches) and even then I use a pop filter between the singer and the mic. They do a very nice job recording choirs, but honestly are so large as to be distracting to the audience. I would describe the tone as clear, warm, full. The tone is not harsh, brittle or boomy. They sound less bright than my Shure SM81s (standard recording industry small condenser microphone) bit I do not find them lacking in treble or overtone content. Compared to the MXL 2001s, the 4000s have a more honest, refined tone (less colored).

I have used the 4000s a few times for PA use and that can be a bit dicey. They are condenser microphones after all and tend to pick up even slight sounds. In PA use, they work best if your speakers are well in front of you and the area you are playing has no reflecting surfaces (walls) that can throw your sound back at you (and cause feedback). Of course, this sound like outside would be a good choice, but if you are outside the sensitivity of the microphone picks up the slightest wind noise. Again, using these mics for PA use can be quite problematic.

The MXL V900 is an interesting mic. We have used that mic to perform with a PA and it works as long as you have in-ear monitors. Again, it is a condenser and is prone to feedback. But I do not own a full set of in-ear monitors for our band, but I love the way it looks when we perform standing around it.

Both the 4000 and the V900 have pretty wide cardioid pick up patterns.

MXL is making some pretty cool mics these days. A friend of mine, who has been in the recording industry for 30+ years and has a locker full of Neumanns, Shures, AKGs, Sennheisers and much more, recommended I check out MXL mics about 10 years back. He claimed that MXL was coming out with microphones that easily rivaled some of the best sounding mics he had ever owned and used for a small fraction of the purchase price. I think he might be right.

#11

Thanks for the feedback (pun intended). No worries on the timing, things are busy here too. I checked at my local GC, and they did not have a 4000. I think my next move is to try out an SM7 from GC. They said they don’t rent them out, but you can buy it to try it. If it’s not a good fit, bring it back. If the SM7 is a good fit for what I am looking for, problem solved. Otherwise, I’ll probably order a 4000. Even if it’s not a good match for what I am looking for, it sounds like it would be a handy mic for lot’s of applications.

#12

MMMmmmmmm… the SM7.

That is the one mic I have been gassing for over the last 25 years and have not found a good reason (other than I want one) to purchase it. Most of my equipment purchases are funded by the need to have that piece of equipment to make money. I haven’t “needed” an SM7, but I really want one. They supposedly sound amazing when used for voice recording. They are impressive looking and make even gentle voiced radio personalities sound robust. :wink:

#13

As if on cue, I received an email from Guitar Center (GC) this morning. This weekend for every $50 you spend you get $10 on a gift card for use at GC (it has to be used in a certain timeframe and other legal mumbo jumbo). I had a flight student after work, but I got done with that, then I went over to GC and picked up an SM7 and a 3’ mic cord (I just needed something to add a penny to the price to get to the next $50 increment). I just got back, so I haven’t opened it yet… we’ll see how it goes. Maybe it will make me sound like Frank Sinatra. Maybe I’ll sound like Barney Fife. Only time will tell.

#14

First impression of the SM7… it’s a keeper. My recorded voice sounds more like I “hear” my voice, than on any other mic I have tried. That’s not to say it’s more accurate… in fact I think the problem with SDCs for vocals is they are too accurate. The SM7 sounds like an SM58 on steroids, I mean that in a good way. Where it really shines is when you mix it. I made some vocal harmonies against a guitar track, and the harmonies blend real well. I EQ’d and compressed them and they slid into the mix well. The SM7 takes a ton of gain, but my focusrite has enough. Not sure, but I think I like leaving the high pass filter off and maybe the presence boost as well. So far so good.

#15

— Begin quote from "jv nc"

I’m a new flatpicker from the world of finger-style playing, and I got the pickup installed to sit in on the RARE occasion with a buddy of mine.

— End quote

So what are a few of your favorite finger style songs? I play a little finger style here and there, nothing too complex but I enjoy the sound. Even grew my nails out for it a while back but now I use a thumbpick. The Chet sound is so incredible to me…and lately I’ve been listening to Tommy Emmanuel on youtube. Wow…

#16

My greatest influence on the guitar, to date, has been JT. I can play most anything he does…just "maybe :laughing: " not as clean. I did the nails thing for a while, too. One thing I love about flatpicking is I don’t have to deal with that, anymore. I pretty much don’t play fingerstyle anymore. I’ve kind of lost interest in it.

#17

— Begin quote from "jv nc"

I did the nails thing for a while, too. One thing I love about flatpicking is I don’t have to deal with that, anymore.

— End quote

I did the nails thing as well. I am not the king of style and don’t generally worry about such things, but with working on mechanical things, it was hard to keep my nails from looking just nasty. Long nails + black greasy stuff = some grungy looking fingers. I generally don’t grow my nails out anymore. Sometimes now, I will do just my thumb if I am playing some fingerstyle (I did that around last Christmas).

#18

— Begin quote from "jv nc"

My greatest influence on the guitar, to date, has been JT. I can play most anything he does…just "maybe :laughing: " not as clean. I did the nails thing for a while, too. One thing I love about flatpicking is I don’t have to deal with that, anymore. I pretty much don’t play fingerstyle anymore. I’ve kind of lost interest in it.

— End quote

JT as in James Taylor? Nice…I can only play one of his, Fire & Rain. Generic and maybe overplayed yeah, but I like it. It’s a tough one for me to play and sing at the same time though.

I’d like to learn Sweet Baby James, I haven’t really spent a lot of time on it but I think I have a tab or chord sheet in my notebook for it.

One of the best songs in my little mental set is a finger pick version of Country Roads. I love playing that and I can play it much better via fingers than pick. Seems to flow better that way for me.

~Mike

#19

— Begin quote from "mswhat"

One of the best songs in my little mental set is a finger pick version of Country Roads. I love playing that and I can play it much better via fingers than pick. Seems to flow better that way for me.

— End quote

Another JD song that is great for solo fingers and singing is “Sunshine on my shoulders.” It’s a simple way I play with it, but there is a G to C transition thing that makes it kind of nice. It’s an easy song to sing along with too.

#20

Ben must have been trolling around our chatter…I see he posted a finger style lesson! :smiley:

#21

— Begin quote from "jv nc"

You guys are great. But, for future reference, I am NOT close to being a professional musician…lol. All I want is a spot in the man cave where two people can sit and play their instruments through mics…and possibly do some vocals, there, too.

If and when I ever do any bluegrass playing “out”, I’d definitely want a nice instrument mic, anyway.

You gave me great info to get me going.

RE: mic stands, now…is there one that will work standing or sitting (instrument & mic stand)?

Thanks again.

— End quote

That kind of music making is where some of the best music comes from and you go to bed tired and happy .

#22

Any one on a budget or a student that does not want to put a lot of money into a guitar . well I went to Guitar center and tried the Yamaha FG700S and I can tell you fit an finish is great and it sounds loud although it is a concert size body but for two hundred dollars I would not kick it out of bed . Play ability is about like a fender strat (similar neck )it is easy to note and play . 199.00 on sale now, it is a nice looking guitar and would not be ashamed to play in front of people with it . good looks fit is great and the sound is good . Anyone wanting get started and have a decent guitar with out breaking the bank I suggest you go to a music store and try one for your self .

#23

Hey Welder, Do you go to the Guitar Center behind the Dayton Mall? That’s the closest one for me and it’s still over an hour away. I get there once in awhile. Next time I go I’ll check with you and maybe meet up with you there.

J.W.