Forum - Banjo Ben Clark

2026 Virtual Guitar Cabin Camp June 9!

Awwww, son! We’re doing it again, this time with Jake Workman and new special guest, Tim Stafford of Blue Highway!

Here’s the link for all the details: https://store.banjobenclark.com/products/banjo-bens-virtual-guitar-cabin-camp-june-9-2026

Like last year, we’ll work to become better all-around guitar players with a focus on rhythm, ear training, and soloing. Both Tim & Jake will teach things that make them uniquely them, like Tim’s floating guitar licks & Jakes approach to speedy head-blowing machine gun-esque licks.

I’m really excited for this one, y’all! Just remember you have to register b/f the event, and even if you can’t make it live, I’ll send you the recording/resources. Also, remember that Gold Picks will receive a discount code via email!

TROUBLESHOOTING GUIDE

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Hey, y’all can submit questions beforehand for the teachers and I’ll do my best to work them into the sessions. Just leave those here as comments!

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A lot of folks at my level seem to just mash over the top of everybody else’s solo at jams. Could you go over tasteful ideas for backing up the various other instruments and how those ideas differ based on the volume and/or register of the soloing instrument? More than just play quiet over a guitar solo and play louder over the fiddle and fill in chops over mandolin. And how can you do this while still laying down the chordal foundation? It seems it doesn’t take much for the rhythm to get squirrelly when the only guitarist takes a solo or otherwise stops holding the basic chords down solidly.

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I am more interested in hearing a response to Lefty5string’s terrific question than what I’m about to ask, but, but here goes. Let’s say you are playing a song in Bb to accommodate a singer. Capo 3 playing in G shape. Any tricks for finding your place up the neck, since your usual fret markers are all off?

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From a banjo players view point. This skill is learned over time. It’s like driving a car with a stick shift, you know where the stick is and and the location of the gears but you never take your eyes of the road to make the change.

advice

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I’ve experienced this, too, and I’ve also been guilty of this. This lesson from Ben about listening as a musican really hellped me understand how I should be playing with other people: https://banjobenclark.com/lessons/learning-to-listen-as-a-musician-intermediate?from_track=intermediate-guitar-checklist

Also, during Ben’s pick-along lessons, there are prompts on the screen that discuss how he’s playing and give tips and reminders for playing in a jam. These have also been really helpful to me.

Welcome to the forum, @stolioly! Glad you’re here! To adde to what @Archie said, it becomes muscle memory. Not so much what fret number you might be on, but more where you are on the neck in relation to the nut, or the capo. Personally, I’ll practice playing things capoed on different frets to work on this. Sometimes it is easy, sometimes it’s not. It will come with time and practice.

Thanks for the questions, keep them coming!

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These are all finger pickin’ questions.

  1. Which is the best finger(s) to use for pickin’?
  2. Is it better to have long finger nails for pickin’ or short?
  3. How far in should your finger(s) go in for pickin’?

Edit,
That was a great session. Packed with so much information! A bit of a brain overload, but will be able to review the playback several times. Also I know you’ll be sending us resource material.
Thank you @BanjoBen

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I hope y’all enjoyed the event last night! I think it was one of the best ever…SO much content covered! I think I asked all of your questions, or at least got really close to them. I’ll be sending out the link/resources later this week. Thank you so much for supporting these events!

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